CCVG Music Service - Peri Page

Information for CCVGMS tutors and downloadable forms

 

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Attainment Levels

Preliminary - Criteria

 The Preliminary Level criteria are used to:

  • rewardthe vast majority of pupils at an early stage in their learning and progress;
  • encouragebeginner pupils early on in their lessons;
  • motivatepupils and encourage them to continue;
  • informparents/carers of their child’s progress at an early stage and
  • give beginner pupils anattainment levelas well as a target achievement.

Most of these criteria can and should be demonstrated simply by the pupilperforming a pieceat this level plus one of the options – see below-as part of a normal lesson.The pupil could, however, show their understanding in other ways, e.g. clapping, singing or in an aural response. This isnota theory test though!

Options

Please note that in order to award as many pupils as possible there is an option ofeitherSIGHT READINGorAURAL/IMPROVISING/RUDIMENTS (drum kit) as there will be pupils who are able to play simple pieces at this level without necessarily being able to read the notation for that piece. (Singing pupils do not have sight reading criteria so there is no option.)

Q. Is there an examination or test for a pupil to attain a Preliminary award certificate?

A.NO– the award is based on continuous assessment in normal lessons.

 

Q. So how and when do I award a Preliminary Certificate?

A. When you believe, in yourprofessional opinion,that the pupil has demonstrated an understanding of the criteria overleaf.

 

Q. How long should it take for a pupil to reach Preliminary Level?

A. How long is a piece of string? But the vast majority of pupils should (in theory!) reach this level within the first two terms of learning. There will always be some who take (considerably in some cases!) longer or shorter.

 

Recording Pupils’ Preliminary Attainment

Please keep an accurate record in your register of the pupils who gain a Preliminary award as you will need this information to complete your Pupil Database return.

                                                                            

                                                              Pupil Targets

 The purpose of the Pupil Target system is to put in place a model to be used by all CCVG Music Service teachers to ensure:

Ø       Pupil Progression

Ø      Consistency of approach

Ø      Clarity

Ø      Positive outcomes

Ø      Accountability

Ø      Support for pupils and staff

The objectives of the system are:

1.      To give every pupil challenging but achievable targets.

2.      To motivate pupils in positive ways to achieve their full potential.

3.      To inform parents of their child's current level and targets at an early stage in the academic year.

4.      To inform parents whether targets have been achieved.

5.      To advise parents how their child could go on to make further progress.

6.      To track progress as a Music Service by holding pupil profiles centrally and be accountable to parents.

 TARGET FORM COMPLETION

A target can be as small as being able to make a basic recognisable sound on the mouthpiece / string / instrument / voice, or being able to play/sing three different pitches / durations, or as big as passing grade 8 by the end of the year with distinction having started the year on Grade 5!

It is perfectly acceptable for the completion of this very important form to take up part (but not all) of a lesson as you need to agree targets with the pupil. The form could be filled in over a number of lessons if preferred.

Filling in the form

Ø      Keep the administration time to a minimum by coming to the lesson with the academic year ending, name, school, instrument/voice, grade passed, grade working towards, teacher's name, signature and date already filled in on the form.    

Targets - Minimum, Moderate and Challenging  

N.B. The targets must be musical in nature. You may find the Learning Objectives in the Common Approach handbook useful for forming targets. Focus the targets on what the pupil should be able to play or the technique they need to improve. Do not use attendance or bringing music as targets.

Ø      Minimum Target - after suggestion and discussion with the pupil(s), decide and write down the minimum target for the academic year. This target should be easily achievable with good lesson attendance but a minimum of effort and practice. The target must be realistic to the individual ability of the pupil and with good attendance. 

Ø      Moderate Target - as above but what you and the pupil consider to be achievable with good attendance, a moderate level of effort and practice but realistic to the individual ability of the pupil.

Ø      Challenging Target - as above but can only be achieved with good attendance, sustained, regular practice, and a real commitment and desire to succeed and make excellent progress 

Explain to pupil(s) that they will be expected to have achieved their targets by the beginning of July and that they need to sign the form agreeing to the    set targets. There will not be a test or examination on these targets, but an assessment  made by the teacher based on continual monitoring over the academic year. 

The age and individual ability of the pupil must be taken into consideration when writing down the targets - use simplified language if necessary and make sure the target is easily understood - explain any technical language 

Upon completion with the pupil  the top (white) copy of the form should be given to the pupil (after discussion with them) for their parents' attention by the week after Autumn Half Term. (You may need all of the first half of Autumn term particularly to get to know your new pupils.)

The middle copy must be given to the Music Co-ordinator / Head of Music

The bottom copy should be kept by the peripatetic teacher - this is vital as you will be using this information to write your end of year reports. 

So:

  top copy to the pupil to take home to parents.

  middle copy to the Music Co-ordinator / Head of Music

 You keep the bottom copy for reference, monitoring and reporting.

 

  Examples of Targets (only one Target per box)

   TARGETS (violin beginner)

1        Minimum Target  

          Example: Play the open strings pizzicato and develop some bow control 

         Moderate Target

          Example: Play simple phrases / pieces reasonably in tune with or without music

         Example: Achieve Preliminary Level

         Challenging Target

         Example: Play a Preparatory Grade piece with reasonable fluency and accuracy

TARGETS (flute- been playing for a year)

1         Minimum Target

        Example: Perform "Morning" and "Victorian ballad" on Page 13 of Team Woodwind  

flu   fluently and accurately

 

2        Moderate Target

        Example: Develop tonguing technique- make it cleaner and clearer and co-ordinated

       with fingers.

           Example: Be able to play the scales of F,G major and E minor (one octave)

        Challenging Target

           example: Play "Waltz no.12" (Grade 1) fluently and with expression

 

 

         TARGETS (trumpet - passed Grade 5 last term with a merit)

       Minimum Target

         Example: Improve aural skills to be able to sing notes from a score accurately

          Example: Play "Canzona 5" (Grade 6) with accuracy of pitch, rhythm, articulation

          and dynamics

 

          Moderate Target

                 Example: Be able to play all Grade 6 scales and arpeggios accurately

                Example; Be able to improvise a piece based on the blues scale.

           Challenging Target

                 Example: Pass Grade 6

 

 

  The above are simply examples - there are many others that could be placed here and  you will have your own ideas regarding target writing. But please adhere to the principals outlined above.

May 2009

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Teaching in groups - some advice and tips

 A good group lesson should aim to include:

  • development of technique on the instrument or voice
  • listening
  • performing, both solo  and with others
  • improvising / composing and communicating musical ideas
  • responding to and evaluating their own and others' work

How do you begin a group lesson?

 The beginning of a group lesson should have all pupils involved. There are many ways in which to do this but try and make it lively and fun if you can. Try to vary the group exercises you choose to start a lesson, e.g.

  • physical warm-ups
  • playing/singing long notes - competition for who can play the longest (and nicest!) note 
  • breathing exercises
  • teacher plays a phrase, pupils copy in turn or give an answering phrase (see "Explorations")
  • pupil plays a phrase, others copy in turn or give an answering phrase
  • play scales and arpeggios in unison, contrary motion or in 3rds or 5ths or both, or (more fun) as rounds.

 What can the other pupils be doing practically when one pupil is playing?

  • tapping or clapping the beat
  • tapping or clapping the rhythm
  • joining in with certain phrases, bars or even one note
  • Share the tune - taking it in turns to play the next phrase
  • follow the music and finger without playing
  • playing a drone to fit the piece
  • playing a rhythmic or melodic ostinato
  • conducting
  • singing the piece
  • one pupil demonstrates a technique to the others
  • check each other's posture
  • focused listening

 What other group activities can I use?

  • Ensembles - rounds, duets, trios, quartets
  • Improvising (see "Explorations")
  • Group composition based on one interval, a rhythm, melodic motif, story, mood etc etc

 What is focused listening?

 Before you ask one pupil to perform their piece, ask the others to focus on one or more aspects of the performance for them to tell you at the end, such as:

  • were the dynamics performed correctly? If not, how and where could it be improved?
  • Was the performance fluent? If not, how and where could it improve?
  • Were the note durations / rhythms correct? If not, how…………..?
  • Were the pitches correct? If not, how……………..?
  • Did they keep a steady beat? If not, how……………?
  • What mark out of 10 would you give that performance and why?
  • Describe the character of the piece
  • Describe the form of the piece